{"id":1183115,"date":"2026-05-10T08:45:29","date_gmt":"2026-05-10T14:45:29","guid":{"rendered":"https:\/\/www.reporterherald.com\/?p=1183115"},"modified":"2026-05-08T12:38:13","modified_gmt":"2026-05-08T18:38:13","slug":"pulliam-building-murals-loveland-history","status":"publish","type":"post","link":"https:\/\/www.reporterherald.com\/2026\/05\/10\/pulliam-building-murals-loveland-history\/","title":{"rendered":"Loveland\u2019s Pulliam Building adds murals inspired by its history"},"content":{"rendered":"

One of Loveland\u2019s most iconic buildings now has artwork to match its recent revival.<\/p>\n

At the recently renovated Pulliam Community Building, artist Cole Eisenhour has created a series of murals that draw on the building\u2019s 1930s origins, echoing Works Progress Administration-era public art while reflecting the city\u2019s past.<\/p>\n

\u201cI did a lot of reading beforehand,\u201d he said. \u201cI wanted to understand the city\u2019s history and the people \u2014 how it was built \u2014 and then try to tell that story through the work.\u201d<\/p>\n

Originally constructed in 1938, the Pulliam Community Building long served as a civic gathering space in Loveland, hosting meetings, events and recreational programs for generations of residents.<\/p>\n

After the turn of the century, however, years of wear began to take a toll, as rising maintenance costs and major repair needs threatened to sideline the historic structure.<\/p>\n

A community fundraising effort helped turn the tide, leading to extensive renovations and the building\u2019s reopening last November<\/a>.<\/p>\n

That renewed life now extends to the building\u2019s walls.<\/p>\n

Eisenhour\u2019s murals span three locations in and around the Pulliam, each taking a different stylistic approach.<\/p>\n

\u201cIt keeps me invigorated as an artist to experiment with different painting approaches and color palettes,\u201d he said. \u201cSome artists get pigeonholed into one style forever. I find that I’m constantly changing.\u201d<\/p>\n

In an evocative scene on the second floor, outside the conference rooms, Eisenhour places farmers and foundry workers beneath smokestacks, open sky and rolling clouds, linking the city\u2019s agricultural roots with its industrial growth. The figures are stretched into elongated forms and rendered\u00a0 in a muted palette, echoing WPA-era posters.<\/p>\n

\u201cThis one is more painterly and illustrative, and leaving the brushstrokes makes it feel more alive,\u201d he said. \u201cIt\u2019s my favorite out of the three.\u201d<\/p>\n

\"Artist
Artist Cole Eisenour paints the face of a man depicted on a mural in the Pulliam Community Building in downtown Loveland on April 24. (Jenny Sparks\/Loveland Reporter-Herald)<\/figcaption><\/figure>\n

The Utah-based artist switched to an art deco style for the mural now gracing a wall in the Pulliam\u2019s basement meeting room. A woman\u2019s face in profile anchors the composition, framed by circular panels and stylized floral motifs inspired by Alphonse Mucha<\/a>.<\/p>\n

For the third mural \u2014 and the only one on the building\u2019s exterior \u2014 Eisenhour returned to his roots, covering the elevator entrance with a blend of abstract and realist imagery that leans more heavily into bold color, geometric forms and movement.<\/p>\n

\u201cThe exterior piece is closest to what I consider my style,\u201d Eisenhour said. \u201cI don\u2019t like to be pinned down. I like to move around \u2014 it makes me more versatile.\u201d<\/p>\n

While the designs are carefully planned, Eisenhour said translating them onto the wall comes with its own challenges. For assistance, he uses modern tools such as projection to map out the basic shapes of his compositions, but said the most difficult part is often getting the colors just right.<\/p>\n

\u201cColor matching is probably the hardest thing,\u201d he said. \u201cYou\u2019re trying to take something from a digital reference and recreate it with paint, and sometimes it doesn\u2019t behave the way you expect.\u201d<\/p>\n

Still, he said the Pulliam project came together smoothly, a reflection of both preparation and experience. After several years working full-time as a muralist, Eisenhour has completed projects across the country, but said Loveland stood out as a place that felt immediately familiar.<\/p>\n

\u201cIt reminds me a lot of where I\u2019m from,\u201d he said, comparing the city\u2019s downtown to his hometown of Ogden, Utah. “This has been a really fun trip.”<\/p>\n

\"A
A mural by artist Cole Eisenour is pictured Friday, April 24, 2026, in the basement of the Pulliam Community Building in downtown Loveland. Eisenour is creating 3 different murals inside and outside the building. (Jenny Sparks\/Loveland Reporter-Herald)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Artist Cole Eisenhour created three murals in and around the recently renovated Pulliam Community Building, each drawing on Loveland\u2019s past in a distinct style<\/p>\n","protected":false},"author":155,"featured_media":1178605,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false},"categories":[3067,25,24],"tags":[55],"feature":[],"location":[124,125,249,255],"type-of-work":[],"coauthors":[4026],"class_list":["post-1183115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest-headlines","category-local-news","category-news","tag-art","location-colorado","location-front-range","location-larimer-county","location-loveland"],"post_status":"","edit_last":0,"edit_lock":0,"highlights":"","original_byline":"","original_canonical":"","original_category":"","original_email":"","original_id":0,"original_pubdate":"","original_source":"","primary_section":"25","primary_tag":55,"print_workflow_body":{"deck_headline":"Downtown Loveland","print_title":"Pulliam Building adds murals inspired by its history","print_subheadline":"Artist Cole Eisenhour created three murals in and around the recently renovated Pulliam Community Building, each drawing on Loveland\u2019s past in a distinct style","print_planned_ready":"","print_pub_date":"1778306400","print_slug":"RHC-L-PULLIAMMURALS-0502","print_budget_line":"","print_excerpt":"Artist Cole Eisenhour created three murals in and around the recently renovated Pulliam Community Building, each drawing on Loveland\u2019s past in a distinct style","print_notes":"","photo_limits":"Photo limits are: 1 featured image, 5 featured gallery images, 5 embedded gallery images and 5 in-article embedded images. Articles that exceed these limits will not export. Please adjust images to reflect these limits.","print_featured_gallery_richtext":"","print_inline_galleries_richtext":"","print_inline_images_richtext":"[caption id=\"attachment_1178604\" align=\"aligncenter\" width=\"8093\"]\"Artist Artist Cole Eisenour paints the face of a man depicted on a mural in the Pulliam Community Building in downtown Loveland on April 24. (Jenny Sparks\/Loveland Reporter-Herald)[\/caption][caption id=\"\" align=\"aligncenter\" width=\"8102\"]\"A A mural by artist Cole Eisenour is pictured Friday, April 24, 2026, in the basement of the Pulliam Community Building in downtown Loveland. Eisenour is creating 3 different murals inside and outside the building. (Jenny Sparks\/Loveland Reporter-Herald)[\/caption]","print_content":"

One of Loveland\u2019s most iconic buildings now has artwork to match its recent revival.<\/p>

At the recently renovated Pulliam Community Building, artist Cole Eisenhour has created a series of murals that draw on the building\u2019s 1930s origins, echoing Works Progress Administration-era public art while reflecting the city\u2019s past.<\/p>

\u201cI did a lot of reading beforehand,\u201d he said. \u201cI wanted to understand the city\u2019s history and the people \u2014 how it was built \u2014 and then try to tell that story through the work.\u201d<\/p>

Originally constructed in 1938, the Pulliam Community Building long served as a civic gathering space in Loveland, hosting meetings, events and recreational programs for generations of residents.<\/p>

After the turn of the century, however, years of wear began to take a toll, as rising maintenance costs and major repair needs threatened to sideline the historic structure.<\/p>

A community fundraising effort helped turn the tide, leading to extensive renovations and the building\u2019s reopening last November<\/a>.<\/p>

That renewed life now extends to the building\u2019s walls.<\/p>

Eisenhour\u2019s murals span three locations in and around the Pulliam, each taking a different stylistic approach.<\/p>

\u201cIt keeps me invigorated as an artist to experiment with different painting approaches and color palettes,\u201d he said. \u201cSome artists get pigeonholed into one style forever. I find that I'm constantly changing.\u201d<\/p>

In an evocative scene on the second floor, outside the conference rooms, Eisenhour places farmers and foundry workers beneath smokestacks, open sky and rolling clouds, linking the city\u2019s agricultural roots with its industrial growth. The figures are stretched into elongated forms and rendered\u00a0 in a muted palette, echoing WPA-era posters.<\/p>

\u201cThis one is more painterly and illustrative, and leaving the brushstrokes makes it feel more alive,\u201d he said. \u201cIt\u2019s my favorite out of the three.\u201d<\/p>

The Utah-based artist switched to an art deco style for the mural now gracing a wall in the Pulliam\u2019s basement meeting room. A woman\u2019s face in profile anchors the composition, framed by circular panels and stylized floral motifs inspired by Alphonse Mucha<\/a>.<\/p>

For the third mural \u2014 and the only one on the building\u2019s exterior \u2014 Eisenhour returned to his roots, covering the elevator entrance with a blend of abstract and realist imagery that leans more heavily into bold color, geometric forms and movement.<\/p>

\u201cThe exterior piece is closest to what I consider my style,\u201d Eisenhour said. \u201cI don\u2019t like to be pinned down. I like to move around \u2014 it makes me more versatile.\u201d<\/p>

While the designs are carefully planned, Eisenhour said translating them onto the wall comes with its own challenges. For assistance, he uses modern tools such as projection to map out the basic shapes of his compositions, but said the most difficult part is often getting the colors just right.<\/p>

\u201cColor matching is probably the hardest thing,\u201d he said. \u201cYou\u2019re trying to take something from a digital reference and recreate it with paint, and sometimes it doesn\u2019t behave the way you expect.\u201d<\/p>

Still, he said the Pulliam project came together smoothly, a reflection of both preparation and experience. After several years working full-time as a muralist, Eisenhour has completed projects across the country, but said Loveland stood out as a place that felt immediately familiar.<\/p>

\u201cIt reminds me a lot of where I\u2019m from,\u201d he said, comparing the city\u2019s downtown to his hometown of Ogden, Utah. \"This has been a really fun trip.\"<\/p>"},"print_workflow_exported_ts":"1778265593","print_workflow_exported_username":"Pamela Johnson","print_workflow_shapes":"","print_workflow_side":{"print_section":"3061","print_status":"3047","add_export_buttons":"","print_endpoint":"pmp","print_publication":"","print_add_to_budget":""},"really_short_title":"","short_title":"","syndication_source":"","market_neutral_title":"","social_title":"","dfm_hub_post_id":0,"paywall_level":"","wp_post_sync_subscribers":["contenthub"],"last_syndication_payload_sent_via_nats_to":[],"last_syndication_payload_sent_via_nats_at":0,"last_syndication_payload_received_via_nats":false,"last_syndication_payload_received_via_nats_at":0,"featured_media_content":{"content_type":"image","content":{"id":1178605,"title":"RHC-L-MuralPulliam1-js-0428","filename":"RHC-L-MuralPulliam1-js-0428.jpg","url":"https:\/\/www.reporterherald.com\/wp-content\/uploads\/2026\/04\/RHC-L-MuralPulliam1-js-0428.jpg","link":"https:\/\/www.reporterherald.com\/rhc-l-muralpulliam1-js-0428\/","alt":"","author":"92","description":"Artist Cole Eisenour works on a mural that wraps around the elevator April 24 in the Pulliam Community Building in downtown Loveland. 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